For Immediate Release: Fifty Years After Studying with Rabbi Joseph B. Soloveitchik, Scholar Publishes Groundbreaking Graphic Novel and Companion Book

Fifty Years After Studying with Rabbi Joseph B. Soloveitchik, Scholar Publishes Groundbreaking Graphic Novel and Companion Book

TEANECK, NJ — Fifty years after sitting in the legendary shiur (lecture hall) of Rabbi Joseph B. Soloveitchik at Yeshiva University, Teaneck author, playwright, and scholar Tzvee Zahavy has announced the dual publication of two complementary works honoring the revered Jewish thinker: the graphic novel The Amazing Rav and the narrative analytical work 16 Rides to LaGuardia with Joe Solo.

Both titles, now available on Amazon, examine the multidimensional life and thought of the Rav—from his formative years navigating 1920s Weimar Berlin to the personal, reflective moments of his later life.

While the wider Jewish world knows Rabbi Soloveitchik as the formidable rosh yeshiva and elder statesman of modern Jewish philosophy, Zahavy’s new releases explore the personal, visual, and dialogic dimensions behind the intellectual giant:

• The Amazing Rav: A Graphic Novel brings the Rav’s early intellectual odyssey into dynamic sequential art. The work depicts the young Joseph Dov Soloveitchik walking the streets of Berlin, studying neo-Kantian philosophy at Friedrich-Wilhelms-Universität, and debating in the beit midrash of Rabbi Chaim Heller. By translating dense epistemological breakthroughs into visual storytelling, the graphic novel makes the Rav’s foundational journey accessible to readers of all backgrounds.

• 16 Rides to LaGuardia with Joe Solo pairs narrative depth with rigorous historical scholarship. Structured around sixteen imagined car rides across New York City—navigating highway traffic and the Triborough Bridge en route to airport departure gates—the book provides an intimate, conversational look into the Rav’s mind. Complete with 51 detailed endnotes, archival timelines, and philosophical reflections, it captures the warmth, humor, and intellectual dialectic of a mentor sharing a ride with his driver.

"These projects were born from a single, continuous creative synergy where text, image, and memory nourished each other," said Zahavy. "Drafting the visual panels for the graphic novel clarified the philosophical dialogue in 16 Rides, while archival research grounded the artwork. It took fifty years of reflection, the maturation of personal scholarship, and modern digital publishing tools to bring these two formats together."

Both books are designed to engage long-time students of the Rav’s philosophy as well as a new generation seeking an approachable, vivid gateway into one of the twentieth century's greatest minds.

The Amazing Rav and 16 Rides to LaGuardia with Joe Solo are available in print and digital editions on Amazon. For excerpts, review copies, and author appearances, visit tzvee.com.

The Synergy of My Two New Books About Rav Soloveitchik

From the Beit Midrash to the Page: 50+ Years After the Rav’s Shiur

Fifty three years ago, I sat among rows of eager talmidim in the shiur of Rabbi Joseph B. Soloveitchik—the Rav. Like everyone in the room, I was captivated by his dialectical brilliance, his mastery of Brisker conceptual analysis, and his unique ability to hold philosophical loneliness and halakhic rigor in breathtaking tension. For decades, those memories, texts, and lingering echoes lived within me as an intellectual anchor.

Now, half a century later, that lifelong encounter has culminated in two very different yet deeply intertwined creative projects: my graphic novel, The Amazing Rav, and my narrative analytical work, 16 Rides to LaGuardia with Joe Solo.

Looking at them side by side, people can ask how an academic and a disciple arrives at two distinct formats—one visual, sequential, and dramatic; the other narrative, conversational, and anchored in historical and philosophical research. The truth is, they were not created in isolation. They were born of a single, continuous creative synergy where text, image, memory, and history continuously nourished one another.

The Spark: Giving Form to an Intellectual Odyssey

When reflecting on the Rav’s legacy, the world rightly remembers the towering rosh yeshiva of Washington Heights and Boston—the elder statesman of modern Jewish thought. Yet behind the venerable figure was a young thinker whose journey began in Eastern Europe and wound through the vibrant, intellectually charged atmosphere of 1920s Weimar Berlin.

To tell that story faithfully, I found myself wrestling with two distinct impulses:

1. The Visual and Dramatic Dimension: How do you bring to life the young Joseph Dov Soloveitchik walking the rain-slicked streets of Dorotheenstraße, studying neo-Kantian philosophy at Friedrich-Wilhelms-Universität, or grappling with ideas in the beit midrash of Rabbi Chaim Heller?

2. The Intimate, Conversational Dimension: How do you convey the human warmth, the wit, and the subtle dialectic of a mentor sharing his thoughts across an ordinary, unscripted setting?

The Synergy of Two Mediums

The development of The Amazing Rav and 16 Rides to LaGuardia became a dual engine where each project resolved the challenges of the other.

• Sequential Art as Conceptual Clarification: In The Amazing Rav, sequential art forced an economy of expression and visual staging. Translating complex philosophical transitions—such as the epistemological shifts of the Berlin thesis or the emotional solitude of modern man—into visual panels required distilling ideas to their emotional and intellectual essence. Staging scenes in 1929 Berlin seminar rooms or New England winters provided the sensory atmosphere that purely textual analysis often leaves to abstraction.

• Narrative Depth and Historical Grounding: While the graphic novel demanded visual immediacy, 16 Rides to LaGuardia provided the expansive canvas for voice, memory, and scholarship. Framing the Rav’s reflections through the conceit of sixteen journeys—navigating the Triborough Bridge, highway traffic, and airport departure gates in a vintage Lincoln Continental—allowed for an intimate dialogic rhythm. The narrative gave room for archival context, philosophical depth, and the quiet spaces between destination points.

• The Interlocking Loop: Every visual panel drafted for The Amazing Rav sharpened a dialogue beat in 16 Rides. Conversely, every archival note, historical citation, and draft revision in 16 Rides dictated the lighting, framing, and architectural accuracy in the graphic novel. The visual world grounded the text, and the textual dialogue animated the illustrations.

Fifty+ Years in the Making

It is tempting to think of creative work as an instantaneous burst of inspiration. But bringing these books to fruition fifty years after sitting in the Rav's shiur taught me that some ideas require decades of fermentation.

They required the passage of time: the maturation of one's own scholarly voice, the advent of modern publishing and creative technologies that empower independent authors to merge visual and textual storytelling, and the perspective that comes only from looking back across a lifetime of learning.

Both The Amazing Rav and 16 Rides to LaGuardia with Joe Solo seek to honor the multidimensional humanity of Rabbi Soloveitchik. Whether through the vibrant panels of a graphic novel or the quiet back-and-forth of an airport ride, the goal remains identical: to ensure that the depth, courage, and vitality of the Rav’s thought continue to engage, challenge, and inspire a new generation.

My new book, The Amazing Rav - available at Amazon.

My new book,  The Amazing Rav - available at Amazon.

My Great Grandfather was Harris Epstein the Great Inventor of a Patented Folding Umbrella, Extension Ladder and more

I am named after my great-grandfather, Harris (Tzvee) Epstein, aka, Epstein the Inventor, who lived in New York City and Spring Valley. I probably inherited my technical curiosity from him.

He was the inventor and patent holder of many practical items, a folding umbrella, an extension ladder, a double sided toothbrush, a vegetable grater and more.

Here are of his patents with their links from Google Patent search: 

FOLDING UMBRELLA Patent number: 1666692 Filing date: Jan 29, 1927 Issue date: Apr 17, 1928

SIGNALING APPARATUS US Pat. 1060898 - H. EPSTEIN. SIGNALING APPARATUS, APPLICATION PILED JAN. 26, 19.11. Patented May 6,1913.

EXTENSION LADDER US Pat. 949529 - Filed Feb 10, 1909

VEGETABLE GRATER US Pat. 1799963 - Filed Apr 4, 1930... UNITED STATES PATENT OFFICE HARRIS EPSTEIN, OF ROCKAWAY BEACH, NEW YORK VEGETABLE GRATER

GAS-CONTROLLING DEVICE US Pat. 968457 - Filed Jan 11, 1910

TOOTH BRUSH Patent number: 1111144 Filing date: Oct 4, 1913 Issue date: Sep 22, 1914

Papa Epstein, as he was called by his grandchildren, sure would have liked the age of the personal computer and the Internet, especially the iPad and smart phone.

Was Benoît Mandelbrot Jewish?

Yes, Benoît Mandelbrot was a Jew. The Times obituary says he, "was born on Nov. 20, 1924, to a Lithuanian Jewish family in Warsaw. In 1936 his family fled the Nazis, first to Paris and then to the south of France..."  Wikipedia says that in France, "He was helped by Rabbi David Feuerwerker, the Rabbi of Brive-la-Gaillarde, to continue his studies." Mandelbrot is the Yiddish word for almond bread, the Jewish biscotti.

The Times says, "Dr. Mandelbrot coined the term 'fractal' to refer to a new class of mathematical shapes whose uneven contours could mimic the irregularities found in nature." Mandelbrot's discoveries profoundly influenced mathematics and the sciences and numerous disciplines beyond.

Talmudic Chaos v. Halakhic Linearity in the Logic of Judaism

In 2011 I published an article, "In Search Of The Logic Of Judaism: From Talmudic Chaos To Halakhic Linearity," which you can download and read from the link here.   

In 2026 I augmented this paper with AI enhancements.

I used mathematical ideas to differentiate the linear organization of the halakhah from non-linear thinking of the Talmud. Our abstract says: 

In this paper I examine some common views of scholars concerning the idea of the halakhah in Judaism. I then explain why their methods failed to account for the main philological and historical evidence regarding the term from the Talmudic texts. Then I suggest as a heuristic explanation that the logic of the Talmud defies linearity and can be discussed productively using chaos theory.

The authors in this volume cover varied topics with sophistication and erudition. The publisher's page provides details about the book, as copied below.